Paul Tripp's popular Bible Study series continues with The Gospel: One Psalm At A Time. After summarizing each book of the Bible, diving deep into Proverbs, and studying 1 Peter, Paul turns his attention to the Psalms. You are free to distribute and translate both the videos and transcripts of these episodes, available to download on this page.
Founders and curators and Filipa Pina built the archive as a living monument to that spirit—not just of revolution, but of photographic urgency . What Lives Inside Arquivo 193 is three things in one, each layer feeding the next:
Arquivo 193 exists to ensure we never stop agitating the developer. If you visit: – Rua da Madalena, 193, Lisbon. Open Tuesday–Saturday, 12:00–20:00. Darkroom access by donation. Silence in the archive. Questions in the bookstore. arquivo 193
In the labyrinthine alleyways of Lisbon’s Baixa district, where the scent of roasted chestnuts competes with Atlantic salt and the clatter of Tram 28, there exists a sanctuary for the analog soul. It is called Arquivo 193 . Founders and curators and Filipa Pina built the
But the archive is not nostalgic. It is combative. It insists that looking back is a way to see forward. The Carnation Revolution’s 193 days taught Portugal that freedom is not a switch but a process—a negative slowly developing in the dark. Open Tuesday–Saturday, 12:00–20:00
To stumble upon it is to time-travel. From the outside, it is unassuming—a modest facade tucked between a traditional mercearia and a fading tile-adorned building. But behind that door lies one of Europe’s most vital independent spaces dedicated to photography. The name itself is a quiet manifesto. “193” refers not to an address, but to the number of days in 1974 between the Carnation Revolution (April 25) and the end of the transitional junta (November 5). It was a period of euphoric chaos, of walls covered in political posters, of soldiers with carnations in their rifle barrels, and of amateur photographers capturing a country unshackled from half a century of dictatorship.
They also run , portfolio reviews (no fee, just coffee), and a “Camera Lending Library” —check out a Leica M6 for a weekend if you leave your ID and a short essay on why you need it. Why It Matters in the Digital Age In an era of infinite JPEGs and algorithmic feeds, Arquivo 193 defends the objectness of photography. To hold a 1974 gelatin silver print—to see the fiber paper’s curl, the selenium tone, the dust speck embedded in the emulsion—is to remember that a photograph is not a window. It is a physical thing that was there.