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It was a Tuesday. Third period. Advanced Polyphonic Composition.

“What’s the theme?” asked Priya, fingers hovering over her synth.

The squealing gate became the hook. The radiator bass locked with the heel-clicks. The thunderstorm rolled underneath like a heartbeat. And then Priya, with tears in her eyes for reasons she couldn’t explain, sang a single note into her laptop mic—an A440, pure and steady—and placed it dead center.