Midori Tsubaki (b. 1992, Tokyo) is a contemporary Japanese mixed-media artist whose work interrogates the fragility of memory, the passage of time, and the resilience of nature within urban landscapes. Known for her intricate installations that combine organic materials (pressed flowers, soil, thread) with industrial objects (rusted metal, discarded plastic), Tsubaki creates liminal spaces where decay and renewal coexist. This paper analyzes three key works— Fossilized Breath (2018), The Garden of Unspoken Words (2020), and Trace of a Kimono (2022)—to argue that Tsubaki’s art functions as a form of mono no aware (the bittersweet awareness of transience) recontextualized for the Anthropocene. Her practice challenges Western notions of permanent preservation, instead elevating impermanence as a site of meaning.
Ephemeral Whispers: The Poetics of Memory and Materiality in the Art of Midori Tsubaki midori tsubaki
Tsubaki’s 2018 installation Fossilized Breath consisted of 1,000 suspended glass vials, each containing a single pressed camellia flower and a scrap of handwritten tanka poetry. The poems, collected from elderly residents of a soon-to-be-demolished nursing home in Yanaka, were transcribed onto recycled washi paper that slowly yellowed over the exhibition’s run. Art critic Hirano Kei notes that Tsubaki “does not preserve memory; she performs its decay, asking us to witness loss without rescue” ( Bijutsu Techo , 2019). Midori Tsubaki (b