Borges | The Immortal

Every time someone reads “The Garden of Forking Paths,” Borges steps out of the library. Every time a writer borrows his labyrinths — from Eco to Danielewski to Inception — Borges whispers from the stacks. He exists in the infinite regress of quotations, in the false memories of fictional scholars, in the paradox of a man who went blind while directing the National Library of Argentina. (“I speak of God’s splendid irony,” he wrote, “who granted me at once books and night.”)

Borges understood what Hollywood action films never will: Immortality is not superhuman. It is subhuman. the immortal borges

Not because he believed in an afterlife. He was famously skeptical. (“I am not an atheist,” he once said, “I am an agnostic. I am a man of doubt.”) No, Borges is immortal in the way a mirror is: he doesn’t die; he multiplies. Every time someone reads “The Garden of Forking

We don’t live forever. Instead, we live only in memory . And memory is Borges’s true labyrinth. It has no center. It has no exit. It is simply a corridor that folds back on itself, where your father is still young, where the book you haven’t written yet is already reviewed, where a blind Argentine man is smiling at you from across the century, saying: “Being immortal is unimportant; what matters is being remembered — and even that is a kind of fiction.” Read him. Reread him. Get lost. That’s the point. (“I speak of God’s splendid irony,” he wrote,

And yet — Borges himself is immortal.

So here is the secret Borges leaves us:

To be immortal is to be bored of every sunrise. To forget your mother’s voice. To watch cities crumble into sand and feel nothing.