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Unlike earlier episodes where Tariq’s killings were reactive (Ray Ray) or accidental (Ghost), this episode has him pull the trigger on an unarmed, begging young man simply because Monet ordered it. The cinematography in this scene is stark: tight close-ups on Tariq’s trembling hand, the victim’s tearful eyes, and then the gunshot cut to black. It’s the first time the show makes you question if Tariq is beyond redemption.
Title: The Prince Director: Hernán Otaño Runtime: ~55 minutes Key Focus: Tariq’s attempt to play both sides (the Tejadas and the law) begins to fray as loyalty is tested, and Monet Tejada asserts her true authority. Plot Summary (Spoilers ahead) The episode opens with Tariq and Brayden scrambling after the failed drug heist in Episode 3. Their professor, Carrie Milgram, begins to suspect Tariq’s extracurricular activities are more than academic. Meanwhile, Monet forces Tariq into a dangerous new role: she wants him to be the middleman between the Tejada operation and a new, volatile connect—a gang led by a man named Vincent “Vic” .
The B-plot follows Saxe and Tate as they continue building a RICO case against Monet, using Tariq’s father (James “Ghost” St. Patrick) as the historical link. Zeke’s basketball future becomes a bargaining chip between Monet and her estranged husband, Lorenzo (still in prison), revealing that the Tejada family’s power is more fragile than it appears.
The Godfather Part II (the Michael Corleone darkening arc), Snowfall (family-run drug empires), or Ozark (ordinary people becoming killers).
Brayden’s comic relief fades here. When he watches Tariq clean blood off his hands, his reaction isn’t horror but fascination . There’s a subtle beat where Brayden doesn’t flinch—suggesting the wealthy party boy is more sociopathic than naive. This episode seeds his evolution into a true partner-in-crime. Weaknesses / Criticisms 1. The Saxe/Tate Subplot Drags While necessary for the RICO arc, their scenes feel like filler. Tate’s constant scheming to become Lt. Governor is stale, and Saxe’s weasel routine hasn’t evolved since Power Season 2. Their dialogue is exposition-heavy: “If we can tie Tariq to Monet, we tie her to Ghost’s murder.”
The title isn’t just decorative. Professor Milgram lectures on The Prince , specifically the idea that “it is better to be feared than loved.” The episode then cuts between Tariq applying that lesson (executing the dealer) and Monet living it (intimidating Vic with her lawyer’s retainer). The show finally leans into its Ivy League crime-drama hybrid concept effectively.
Would you like a comparison to other episodes in Season 1, or a breakdown of the real Machiavelli themes used in the show?
He attends class, deals drugs, executes a man, launders money, and still has time to study for a midterm—all in 48 screen hours. The show’s refusal to acknowledge time passing (is this week one of school? Month one?) breaks immersion.
Unlike earlier episodes where Tariq’s killings were reactive (Ray Ray) or accidental (Ghost), this episode has him pull the trigger on an unarmed, begging young man simply because Monet ordered it. The cinematography in this scene is stark: tight close-ups on Tariq’s trembling hand, the victim’s tearful eyes, and then the gunshot cut to black. It’s the first time the show makes you question if Tariq is beyond redemption.
Title: The Prince Director: Hernán Otaño Runtime: ~55 minutes Key Focus: Tariq’s attempt to play both sides (the Tejadas and the law) begins to fray as loyalty is tested, and Monet Tejada asserts her true authority. Plot Summary (Spoilers ahead) The episode opens with Tariq and Brayden scrambling after the failed drug heist in Episode 3. Their professor, Carrie Milgram, begins to suspect Tariq’s extracurricular activities are more than academic. Meanwhile, Monet forces Tariq into a dangerous new role: she wants him to be the middleman between the Tejada operation and a new, volatile connect—a gang led by a man named Vincent “Vic” .
The B-plot follows Saxe and Tate as they continue building a RICO case against Monet, using Tariq’s father (James “Ghost” St. Patrick) as the historical link. Zeke’s basketball future becomes a bargaining chip between Monet and her estranged husband, Lorenzo (still in prison), revealing that the Tejada family’s power is more fragile than it appears.
The Godfather Part II (the Michael Corleone darkening arc), Snowfall (family-run drug empires), or Ozark (ordinary people becoming killers).
Brayden’s comic relief fades here. When he watches Tariq clean blood off his hands, his reaction isn’t horror but fascination . There’s a subtle beat where Brayden doesn’t flinch—suggesting the wealthy party boy is more sociopathic than naive. This episode seeds his evolution into a true partner-in-crime. Weaknesses / Criticisms 1. The Saxe/Tate Subplot Drags While necessary for the RICO arc, their scenes feel like filler. Tate’s constant scheming to become Lt. Governor is stale, and Saxe’s weasel routine hasn’t evolved since Power Season 2. Their dialogue is exposition-heavy: “If we can tie Tariq to Monet, we tie her to Ghost’s murder.”
The title isn’t just decorative. Professor Milgram lectures on The Prince , specifically the idea that “it is better to be feared than loved.” The episode then cuts between Tariq applying that lesson (executing the dealer) and Monet living it (intimidating Vic with her lawyer’s retainer). The show finally leans into its Ivy League crime-drama hybrid concept effectively.
Would you like a comparison to other episodes in Season 1, or a breakdown of the real Machiavelli themes used in the show?
He attends class, deals drugs, executes a man, launders money, and still has time to study for a midterm—all in 48 screen hours. The show’s refusal to acknowledge time passing (is this week one of school? Month one?) breaks immersion.
